This isn’t your typical camera review. Think of it more as an odyssey in pursuit of the perfect, fully functional camera.
Back in April 2024, I set my sights on purchasing a medium format 6x6 SLR camera. At the time, I was using a Yashica Mat-124G, a stylish 6x6 TLR camera that produced fantastic photos. However, the viewfinder was too dark, and carrying it around wasn’t a breeze—especially since finding a compatible lens cap was a constant struggle. Eager to shoot more portraits in the 6x6 format, I began my journey to find a new workhorse medium format 6x6 SLR camera.
I browsed through the options listed on Camera Wiki. While the Hasselblad has always been my dream camera, the price tag was just too steep—it felt like it would cost me a kidney to get one. The Rolleiflex SL66 was another high-end option, equally demanding on the wallet. The Kowa Six caught my eye with its cool looks, but its rarity and price made me hesitant to consider it seriously.
Then, my attention shifted to the Bronica series. After careful comparison and consideration, I concluded that the Bronica S2 might be the best fit for me. It’s fully mechanical with a modular system, comes equipped with a solid lens—the Nikkor 75mm f2.8—and boasts a shutter speed up to 1/1000s. Friendlier price tag. The film back is compatible with 220 film, though finding it can be a bit of a challenge these days. So, what could possibly go wrong?
The Bronica S2, arrived May 2024
I decided it was time to elevate my photography game and ordered a Bronica S2 with a Nikkor 75mm f2.8 lens from eBay Japan. The listing promised a near-mint condition and flawless functionality, which got me excited. When the parcel finally arrived, my first thought was, "Wow, this camera is even bulkier than I expected!" Undeterred, I loaded a roll of Ilford XP2 Super 400 to put it through its paces. To my disappointment, I discovered severe light leaks compromising the images. Without wasting any time, I sent the camera in for repairs and reached out to the seller. Thankfully, he was understanding and agreed to refund the cost of the repair, allowing me to continue my pursuit of the perfect medium format companion.
Light leaks!
Bronica S2, 75mm f2.8 | Ilford XP2 Super 400
Just when I believed all the issues were behind me and I could finally dive back into using this impressive machine, the light leaks persisted. To make matters worse, I noticed the focusing system wasn’t performing as expected. When I aimed the camera at a building across the river and tried to focus to infinity, the image remained out of focus. It seemed the focusing helicoid was off. The Bronica S2 is unique because its focusing helicoid is removable, which unfortunately made troubleshooting a bit more complex.
More light leaks after the first fix, along with the infamous focusing issue. Bronica S2, 75mm f2.8 | Kodak Gold 200
After some digging, I discovered that older Bronica cameras often face this exact problem. Over time, the foam beneath the focusing screen and on the mirror deteriorates and starts to crumble, much like light seals. Considering the S2 originally came out in 1965, I think this makes a lot of sense. This wear and tear causes the focusing components—the focusing screen and mirror—to shift slightly from their original settings, leading to an inaccurate focusing mechanism. For instance, you might believe you’ve perfectly focused on a car 20 meters away through the viewfinder, only to find the photo is blurry. It's a common hiccup in vintage Bronica cameras, but understanding the root cause is the first step toward finding a solution.
©: Richard Haw, https://richardhaw.com/2017/09/24/repair-bronica-helicoids/
When the light leaks issue first surfaced, my repair technician advised me to stop using the dark slide. The dark slide is a thin metal component that fits between the camera body and the film back, allowing users to change the film back in the middle of a roll. This feature is a perk of a modular system camera, enabling multiple film stocks without needing extra cameras. However, since I only had this specific film back, using the dark slide was unnecessary and was the source of the light leaks. I decided to shoot another roll without the dark slide—and BAM! The problem was resolved, with no more light leaks.
Bronica S2, 75mm f2.8 | Ilford FP4+ 125
Regarding the focusing issue, it’s not an overly complicated DIY fix. Essentially, you need to remove the deteriorated foam and apply new layers. That’s my simplified take on it. Despite having the tools and materials to tackle it myself, I chose to shoot another test roll instead. At this point, I was contemplating whether to return the camera and request a refund for the remaining balance.
Just as I was grappling with these issues, destiny stepped in. The shutter jammed while I was taking a photo—unable to advance the knob or release the shutter, it was completely stuck. This was the third time I had brought the camera to my repair technician. Unfortunately, he advised me to return the camera without even bothering to perform a full CLA (photography term, an abbreviation for "clean, lube, and adjust"). He suggested I simply return it to the seller and get my money back, offering to refund the repair costs since he couldn’t resolve the problems once and for all.
Shutter jammed
The last roll of film before the camera died.
Bronica S2, 75mm f2.8 | Kodak Tri-X 400
Just when I thought I had exhausted all options, I decided to request a full return and refund from the seller. To my relief, he promptly accepted and refunded the remaining payment. I carefully packed the Bronica S2 back into its original box and sent it back to Japan, finally putting an end to this frustrating ordeal.
Did I incur any financial loss? Yes, but it wasn't substantial. I view it as a rental fee for using the camera over a few weeks, which offers some mental comfort. Nonetheless, my passion for the Bronica series remains unwavering, and I've already started searching for my next Bronica S2 on eBay.
Fate seemed to intervene when Facebook's algorithm nudged me towards a listing for a Bronica S2A in Melbourne. Someone was selling the camera for nearly half the market price—a serendipitous find! The Bronica S2A closely mirrors the S2, it was released in 1969, with nearly identical specifications and exterior designs. The primary enhancement in the S2A is an improved film advance gear mechanism, which is reputed to reduce jams significantly. Additionally, the film advance and cocking dial have been redesigned to be smaller than the original version. While most Bronica S2As boast a sleek black finish, the S2 typically features a classic silver chrome look, adding a distinctive contrast between the two models.
In July 2024, I reached out to the seller and we swiftly agreed on the price, setting up a time and place to meet. This marked the acquisition of my second attempt in my ongoing hunt for the perfect medium format 6x6 SLR companion. Excitedly, I loaded a roll of Ilford HP5+ 400, and the initial results looked promising—no light leaks this time. However, the inaccurate focusing issue reappeared.
Determined to put it to the test, I took the camera as a backup to a studio shoot, only to discover that the problem was more pronounced at close distances, such as focusing on a subject just 2 meters away.
Bronica S2A, 75mm f2.8 | CineStill BwXX
Curious and a bit frustrated, I removed the focusing screen to investigate further. It became clear that the foam underneath was significantly worn out, a common issue in older Bronica models. Realising that this deterioration was likely causing the focusing components to shift, I decided to bring the camera back to my repair technician. I emphasised that this was a new acquisition without any light leaks and requested a fix for the focusing mechanism.
The foam almost completely deteriorated under the focusing screen
After four weeks of anticipation, my revived Bronica S2A is finally ready to hit the streets. The repair process wasn't inexpensive—despite purchasing the camera at 50% off the market price, the repair costs have effectively brought it up to the camera's standard market value. However, I wasn't deterred by this expense, as the alternative would have been paying full price only to receive a camera plagued with faulty issues. And so, after four months of ups and downs, I have finally secured the ideal medium format 6x6 SLR camera I’ve been hunting for.
Let’s dive into my experience shooting with this remarkable camera. Firstly, the shutter sound is incredibly loud—so much so that sneaky, candid shots are out of the question. This is a stark contrast to the quieter Yashica Mat-124G. On the upside, the lens is razor-sharp. The Nikkor 75mm f2.8 lens, manufactured by Nikon, was the default lens for both the Bronica S2 and S2A when they were first launched. It’s perfect for street photography and serves as a great alternative for portraiture. While I typically prefer using a telephoto lens for portraits, I’m excited to explore the unique options this lens offers.
Bronica S2A, 75mm f2.8 | Various Film Stocks
Bronica S2A, 75mm f2.8 | Various Film Stocks
When the Bronica S2A is in pristine condition, it truly functions like a dependable workhorse. It doesn’t require batteries to operate, boasting a rigid build designed to last. One noticeable feature is the advancing crank—the shutter must be cocked before each shot by cranking the film winding lever. Many first-time users approach the film advance knob with caution, typically needing 3 to 4 complete rotations or several smaller turns until it stops, followed by a bit more rotation until they hear the shutter cock. This sound can feel unnatural and might give the impression that something is broken.
Regarding film loading, the Bronica S2 and S2A handle it similarly to the Mamiya 645. Both require opening the film back, removing the Roll-Film Insert, and loading it outside the body. However, loading film into the Bronica's Roll-Film Insert involves slightly bending the metal plate. This raised concerns about potential metal fatigue and eventual breakage from repeated loading, though, in hindsight, it’s likely just my over-worrying. The key is to load the film gently.
In conclusion, I am satisfied with acquiring the Bronica S2A despite the drama caused by this and previously, the S2. This is definitely a solid 6x6 camera to shoot with, especially since it's more affordable compared to the Hasselblad.
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